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Music in Bali. Experiencing Music, Expressing Culture. 9780195141498
Contiene CD

Music in Bali. Experiencing Music, Expressing Culture

Oxford University Press. 2004

Ficha técnica

  • EAN: 9780195141498
  • ISBN: 978-0-19-514149-8
  • Editorial: Oxford University Press
  • Fecha de edición: 2004
  • Encuadernación: Rústica
  • Dimensiones: 14x21
  • Idioma: Inglés
  • Nº páginas: 208

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CONTENIDO:

Foreword
Preface
CD Track List

1. The Balinese Ceremonial Soundscape: Simultaneity of Soundings
Place, Time, and Circumstance
The Act of Offering
Odalan (Temple Ceremonies) and Ramé (Full, Boisterous, Active)
- Spatial Orientation
- Cycles of Time
- Large-Scale Time: Stories and History
- Cultural Tourism
Thinking in Threes: Historical Periods, Degrees of Sacredness, and Spatial Orientation of the Performing Arts
- The All-Encompassing Adat (Tradition)
- In the Sacred Space of the Inner Courtyard (Jeroan): Old-Period Genres as Offerings
- In the Ceremonial Space of the Middle Courtyard (Jaba Tengah): Middle-Period Genres
- The More Secular Space of the Outer Courtyard (Jaba): New Creations and Entertainment
Conclusion

2. Instruments: Materials, Tuning, and Timbre
The Power of Bronze
Tuning and Timbre
The Waves of Paired Tuning: A Gamelan's Breath of Life
Tuning Systems, Scales, and Notation
Gamelan Gong Kebyar: The Explosive Twentieth-Century Style
Instrument Families in Gamelan Music
- The Gongs
Cycles of Time in Music: Gongs that Mark Colotomic Meters
- Keyed Instruments (Metallophones)
Gender-Type Metallophones
The Low Metallophone Instruments
The Gangsa Family
- Gong-Chimes
- Reyong
- Trompong
- Other Layers of Melody
- Drums: Aural Conductor of the Ensemble
- Cymbals (Ceng-Ceng)
Conclusion

3. Interlocking and Layering: Musical Roles in the Ensemble
The Musical Community of a Gamelan Sekaha
The Stratified Texture of Gamelan: Simultaneous Melodies
The Pokok (Basic Melody )
Communal Elaboration: Interlocking Parts (Kotekan)
Gangsa Kotekan: Polos and Sangsih
Single-Note Kotekan
Syncopated Patterning Kotekan
Expansion and Contraction of a Kotekan Pattern
Reyong Figuration: Melodic Interlocking and Percussive Accentuation
Comparison of Reyong and Trompong
Leadership, Cueing, and Ensemble Interaction
Gaya (Charismatic Gesture )
Conclusion: Putting the Layers Together

4. The World of Stories: Integration of Music, Dance, and Drama in Traditional Balinese Theater
Playing the Past in the Present
- Genres in the Old Category: Sacred Ensembles
- Genres in the Middle Category: The Hindu Javanese Legacy
- Genres in the New Category: Drawing from Middle and Old and Breaking Free
The Idea of Completeness: Revisiting Ramé
Assumptions and Conventions in Traditional Balinese Theater
- The Concept of a "Story:" Orality and Literacy in Performance
The Panji Cycle
- Levels of Abstraction and Accessibility
The Role of Interpreters
- Genres of Theater
Wayang Kilut (Shadow Puppet Theater)
The Dalang
- The Progression of a Performance
Taksu: Divine Inspiration and "Shifting Focal Points"
Conclusion

5. Characterization, Movement, and Gong Structures That Enliven Balinese Theater
Aesthetics and Character Types: Halus (Refined) and Keras (Strong)
Male, Female, and Androgynous Dance Styles
Topeng (Masked Dance Drama)
- The Characters
Progression of a Topeng Play
- Free Choreography
- Legong
- Free versus Fixed Choreography
Elements of Dance and Music in Topeng and Legong
- Vocabulary of Movements
- Agem
Angsel: Dance and Music Articulation
- Colotomic Meters, Delineating Theatrical Situation and Mood
- Batel
- Omang
- Bapang
- Gabor Longgor
- Gilak
Gamelan Balaganjur
Listening to Two Topeng Pieces
- Kecak
Conclusion

6. Large-Scale Form in Gong Kebyar and Its Antecedents
"Classical" Tripartite Form
- Three Contrasting Movements
Gineman: Metrically Free Preludes
Listening to an Entire Piece: The Tripartite Form in "Sinom Ladrang"
Innovations in Form and Texture in Kebyar Kreasi Baru (New Creations)
Form in Kebyar: Cyclicity and Linearity
- New Textures
Kebyar Passages: A Display of Gaya
Kebyar-style Gineman: Gegenderan
"Jaya Semara" ("Victorious Divine Love/Love Deity")
Transformation of Form and Other Innovations
Gong Kebyar Competitions at the Bali Arts Festival
Kreasi Baru Trends at the Dawn of the Twenty-first Century
Kontemporer
Conclusion: Traditional Arts in a Rapidly Changing World
Arts Workshop/Studio Collectives (Sanggar)

7. Conclusion: Three Themes Revisited at a Cremation Ceremony
Glossary
References
Resources
Inde



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