Dialoge, Concerto, 2 pianos and orchestra, study score

Dialoge, Konzert, Studienpartitur

The oeuvre of Bernd Alois Zimmermann is chracterized by the abundant use of musical quotations. In Dialoge he transferred this 'pluralistic composition technique' to a large-scale symphony orchestra for the first time. In the extended cadence at the end of the work, Zimmermann integrates several quotes from Mozart's Piano Concerto in C major, K 467, as well as musical characters from Debussy's Jeux and jazz elements. Hence comes Dialogues across the ages of people deaming, loving, suffering and playing (Zimmermann).

CONTENIDO:

Dialoge I-VII