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Mastering Jazz Guitar: Improvisation (Guitar Tab + CD). 9780739025918
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Mastering Jazz Guitar: Improvisation (Guitar Tab + CD)

Alfred Publishing. 1995

Ficha técnica

  • EAN: 9780739025918
  • ISBN: 978-0-7390-2591-8
  • Editorial: Alfred Publishing
  • Fecha de edición: 1995
  • Encuadernación: Rústica
  • Dimensiones: 22,5x30
  • Idioma: Inglés
  • Nº páginas: 64

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Expand the boundaries of your knowledge and improvisation skills with this exciting book, which picks up where the improv lessons in Intermediate Jazz Guitar leave off. Topics include improvising over altered dominant chords, the diminished scale, the whole-tone scale, targeting the altered chords, revamping licks, modes of the minor scales and more! Loaded with easy-to-read scale diagrams and example phrases, this book is packed with essential information for the improvising jazz guitarist. All music is shown in standard notation and TAB, and the CD demonstrates the examples in the book.

CONTENIDO:

About the author
Introduction

1. Improvising over altered dominant chords
-The diminished scale
-The whole tone scale
-The super locrian mode
-Using the altered scale over a ii-V7 progression
-Targeting the altered chords. Altered clusters
-Revamping licks

2. The minor scales and their modes
-The melodic minor scale
-The modes of the melodic minor scale
-Arpeggios in the melodic minor scale
-The harmonic minor scale
-The modes of the harmonic minor scale
-Arpeggios in the harmonic minor scale
-The ii min7b5-V7b9-i min7 progression

3. Using arpeggios
-Chord superimposition
-Melodic patterns based around arpeggios
-Melodic patterns based around chord shapes

4. Eight-tone scales
-The eight-tone ii-V7 scale
-The eight-tone I scale

5. Connecting your ideas
-The chromatic connection
-Accentuating the difference between keys
-Repeating an idea in different octaves
-Rhythmic motives
-Melodic connection
-Diatonic connection

Coda. A medley of suggestions and musical concepts
-Playing on the extensions using advanced pentatonics
-Playing on the extensions using tones from 13 chords
-Playing with wider intervals
-Octave displacement
-Symmetrical motives



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