> Libros > Formación > Análisis y composición > Análisis musical
V.I- Norton Recorded Anthology of Western Music: Ancient to Baroque (6 CD)
Contiene CD

V.I- Norton Recorded Anthology of Western Music: Ancient to Baroque (6 CD)

; W. W. Norton & Company. 2008

Ficha técnica

  • EAN: 9780393113099
  • ISBN: 978-0-393-11309-9
  • Editorial: W. W. Norton & Company
  • Fecha de edición: 2008
  • Encuadernación: Rústica
  • Dimensiones: 16,5x25
  • Idioma: inglés
  • Nº páginas: 2

No disponible temporalmente

Disponibilidad sujeta a la información del editor

PVP. 76,60€

Avisar si vuelve a estar disponible.

Añadir a la Lista de deseos

6 Compact Discs for use with Norton Anthology of Western Music, Sixth Edition and A History of Western Music, Eighth Edition.

Volumen 1
Estuche que sólo contiene los 6 CDs. Las partituras correspondientes se encuentran en el primer volumen de la Norton Anthology of Western Music.

CONTENIDO:

1. Epitaph of Seikilos, epigram
- Atrium Musicae de Madrid; Gregorio Paniagua, director
2. Euripides: Orestes, tragedy, excerpt: Stasimon chorus
a. chromatic performance
- Atrium Musicae de Madrid, Gregorio Paniagua, director
b. enharmonic performance
- Gayle Stuwe Neuman and De Organographia
3. Mass for Christmas Day, Gregorian chant Mass
- Concentus; Paul Elliott, director
4. Chants from Vespers for Christmas Day, Gregorian chant Office
- Concentus; Paul Elliott, director
5. Attributed to Wipo of Burgundy: Victimae paschali laudes, sequence
- Schola Cantorum of Amsterdam; Wim van Gerven, director
6. Tropes on Puer natus: Quem queritis in presepe
- Schola Hungarica; Laszlo Dobszay and Janka Szendrei, directors
7. Hildegard of Bingen: Closing chorus, In principio omnes, from Ordo virtutum (The Virtues), sacred music drama
- Sequentia; Barbara Thornton and Margriet Tindemans, directors
8. Bernart de Ventadorn: Can vei la lauzeta mover, troubadour song
- Paul Hillier
9. Comtessa de Dia: A chantar, canso (troubadour song)
- Mara Kiek; Sinfonye; Stevie Wishart, director
10. Adam de la Halle: Jeu de Robin et de Marion: Rondeau, Robins m?aime
- A ltramar medieval music ensemble; Jann Cosart, vielle; Angela Mariani, voice; Christopher Smith, gittern; David Stattleman, voice
11. Walther von der Vogelweide: Palästinalied (Nü alrëst lebe ich mir werde), Minnelied
- John Pepper, bass; Toronto Consort; David Fallis, artistic director
12. Cantiga 159, Non sofre Santa Maria, from Cantigas de Santa Maria
- The Martin Best Ensemble
13. La Quarte Estampie Royal from Le manuscrit du roi
- Stevie Wishart, medieval fiddle; Jim Denley, bendir (percussion); Sinfonye; Stevie Wishart, director
14. Organa from Musica enchiriadis
a. Tu patris sempiternus, in parallel organum at the fifth below
b. Sit gloria domini, in parallel organum at the fifth below, with octave doublings
c. Rex caeli, in mixed parallel and oblique organum
- Concentus; Paul Elliott, director
15. Alleluia Justus ut palma, free organum, from Ad organum faciendum
- Paul Elliott, tenor; Matthew Leese, baritone; Concentus; Paul Elliott, director
16. Jubilemus, exultemus, Aquitanian organum
- Dominique Vellard and Emmanuel Bonnardot
17. Leoninus and colleagues: Viderunt omnes, organum duplum
- Concentus; Paul Elliott, tenor and director
18. Clausulae on Dominus from Viderunt omnes Dominus, clausulae Nos. 26 and 29
- Paul Elliott and Wolodymyr Smishkewych, tenors
19. Perotinus: Viderunt omnes, organum quadruplum
- Theatre of Voices; Paul Hillier, director
20. Ave virgo virginum, conductus
- Lionheart
21. Motets on tenor Dominus
a. Factum est salutare/Dominus
b. Fole acostumance/Dominus
- Paul Elliott and Wolodymyr Smishkewych, tenors
c. Super te/Sed fulsit/Dominus
- Concentus; Paul Elliott, director
d. Super te/Sed fulsit/Primus tenor/Dominus
- Margaret Philpot, alto; Rogers Covey-Crump, Rufus Müller, and Leigh Nixon, tenors; Gothic Voices; Christopher Page, director
22. Adam de la Halle: De ma dame vient/Dieus, comment porroie/Omnes, motet
- Tonus Peregrinus; Alexander L?Estrange, counter-tenor; Richard Eteson, tenor; Francis Brett, bass
23. Sumer is icumen in, rota
- The Hilliard Ensemble; Paul Hillier, director
24. Philippe de Vitry: In arboris/Tuba sacre fidei/Virgo sum, motet
- Orlando Consort
25. Guillaume de Machaut: Kyrie, Messe de Nostre Dame
- H illiard Ensemble; Paul Hillier, director
26. Guillaume de Machaut: Foy porter, monophonic virelai
- Gothic Voices; Christopher Page, director
27. Guillaume de Machaut: Rose, liz, printemps, verdure, rondeau
- Gothic Voices; Christopher Page, director
28. Philippus de Caserta: En remirant vo douce pourtraiture, ballade
- Little Consort
29. Jacopo da Bologna: Non al suo amante, madrigal
- Ensemble Project Ars Nova
30. Gherardello da Firenze: Tosto che l?alba, caccia
- Nigel Rogers and Edgar Fleet, tenors; David Munrow, tenor shawm; Musica Reservata; John Beckett, director
31. Francesco Landini: Non avrà ma? pietà, ballata
- Anonymous 4
32. Alleluia, A Nëwe Work, carol
- Anonymous 4
33. John Dunstable: Quam pulchra es, motet
- Lionheart
34. Binchois: De plus en plus, rondeau
- The Tallis Scholars; Peter Phillips, director
35. Guillaume Du Fay: Resvellies vous, ballade
- A ltramar medieval music ensemble: Jann Cosart, vielle; Angela Mariani, voice; David Stattelman, voice
36. Guillaume Du Fay: Christe redemptor omnium, Ex patre, patris unice, hymn in fauxbourdon style
- Concentus; Paul Elliott, director
37. Guillaume Du Fay
a. Se la face ay pale, ballade
- A ltramar medieval music ensemble: Jann Cosart, vielle; Angela Mariani, voice; David Stattelman, voice
b. gloria from Missa Se la face ay pale
- Chiaroscuro Ensemble; Nigel Rogers, director
38 Antoine Busnoys: Je ne puis vivre, virelai
- Pomerium Musices; Alexander Blachly, director
39. Jean de Ockeghem: Kyrie from Missa prolationum
- The Clerks Group
40. Henricus Isaac: Innsbruck, ich muss dich lassen, Lied
- Collegium Vocale Köln; Wolfgang Fromm, director
41. Josquin des Prez: Ave Maria . . . virgo serena, motet
- La Chapelle Royale; Philippe Herreweghe, director
42. Josquin des Prez: Kyrie and Credo (excerpt), Missa Pange lingua
- The Tallis Scholars; Peter Phillips, director
43. Josquin des Prez: Mille regretz, chanson
- Scholars of London
44. Martin Luther: Nun komm der Heiden Heiland and Ein feste Burg, chorales
a. attributed to st. ambrose: Veni redemptor gentium
b. martin luther: Nun komm der Heiden Heiland
c. martin luther: Ein feste Burg
- Concentus; Paul Elliott, director
d. johann walter: Ein feste Burg, first four-voice setting from Geistliches Gesangbüchlein
- Wiener Motettenchor; Ensemble Mvsica Antiqva Wien; Bernhard Klebel, conductor
45. Loys Bourgeois: Psalm 134, Or sus serviteurs du Seigneur, metrical psalm
a. psalm 134, Or sus serviteurs du Seigneur
b. william kethe: psalm 100, All people that on earth do dwell
- Concentus; Paul Elliott, director
46. William Byrd: Sing joyfully unto God, full anthem
- The Tallis Scholars; Peter Phillips, director
47. Giovanni Pierluigi da Palestrina: Credo and Agnus Dei I, Pope Marcellus Mass
- The Tallis Scholars; Peter Phillips, director
48. Tomás Luis de Victoria: O, magnum mysterium
a. O, magnum mysterium, motet
- Gabrieli Consort; Paul McCreesh, director
b. Missa O magnum mysterium: kyrie
- Choir of Westminster Cathedral; David Hill, Master of the Music
49. Orlande de Lassus: Cum essem parvulus, motet
- Musica Sacra; Mary Beekman, director
50. Juan del Encina: Oy comamos y bebamos, villancico
- Circa 1500; Nancy Hadden, director
51. Marco Cara: Io non compro più speranza, frottola
- Paul Elliot, tenor; Nigel North, lute
52. Jacques Arcadelt: Il bianco e dolce cigno, madrigal
- Pomerium Musices; Alexander Blachly, director
53. Cipriano de Rore: De la belle contrade d?oriente, madrigal
- The Consort of Musicke; Anthony Rooley, director
54. Luca Marenzio: Solo e pensoso, madrigal
- Pomerium Musices; Alexander Blachly, director
55. Carlo Gesualdo: ?Io parto? e non più dissi, madrigal
- Les Arts Florissants; William Christie, director
56. Claudin de Sermisy: Tant que vivray, chanson
- Ensemble Clément Janequin; Dominique Visse, director
57. Orlande de Lassus, La nuict froide et sombre, chanson
- Ensemble Clément Janequin
58. Claude le Jeune: Revecy venir du printans, chanson
- The Waverly Consort; Michael Jaffee, director
59. Thomas Morley: My bonny lass she smileth, ballett
- Tonus Peregrinus; Rebecca Hickey, soprano; Kathryn Oswald, alto; Alexander Hickey and Richard Eteson, tenors; Francis Brett, bass; Antony Pitts, director
60. Thomas Weelkes: As Vesta was, madrigal
- The Consort of Musicke; Anthony Rooley, director
61. John Dowland: Flow, my tears, air or lute song
- Ellen Hargis, voice; Paul O?Dette, Renaissance lute
62. Tylman Susato (publisher and ?arranger): From Danserye, Book III
a. basse danse "la morisque"
b. pavane and galliarde "la dona"
- Camerata Hungarica; Laszló Czidra, director
63. Luis de Narváez: From Los seys libros del Delphín, works for vihuela
a. Cancion Mille regres, intabulation of josquin?s Mille regretz
b. Diferencias sobre ?Guárdame las vacas,? variation set
- Lex Eisenhardt, vihuela
64. William Byrd: Pavana Lachrymae, pavane variations
- Elaine Comparone, virginal
65. Giovanni Gabrieli: Canzon septimi toni a 8, ensemble canzona, from Sacrae symphoniae
- His Majestys Sagbutts and Cornetts; Timothy Roberts, director
66. Claudio Monteverdi: Cruda Amarilli, madrigal
- The Consort of Musicke; Anthony Rooley, director
67. Caccini: Vedrò ?l mio sol, continuo madrigal
- Ellen Hargis, voice; Paul O?Dette, lute
68. Jacopo Peri: Le musiche sopra l?Euridice, opera, excerpts
a. aria: Nel pur ardor
b. dialogue in recitative: Per quel vago boschetto
- La Compagna dei Febi Armonici; Anibal Cetrangolo, conductor
69. Claudio Monteverdi: L?Orfeo, opera, excerpt from Act II
a. canzonetta: Vi ricorda o boschi ombrosi
b. song: Mira, deh mira Orfeo
c. dialogue in recitative: Ahi, caso acerbo
d. recitative: Tu se? morta
e. choral madrigal: Ahi, caso acerbo
- Ian Bostridge (Orfeo); Alice Coote (Messenger); European Voices; Les Sacqueboutiers; Le Concert d?Astrée; Emmanuelle Haïm, director
70. Claudio Monteverdi: L?incoronazione di Poppea, opera, Act I, scene 3
- Danielle Borst (Poppea); Guillemette Laurens (Nerone); Concerto Vocale; René Jacobs, conductor
71. Antonio Cesti: Orontea, Act II, excerpts
a. scene 16, recitative: E che si fa?
b. scene 17 (excerpt), aria: Intorno all? idol mio
- Helga Müller Molinari (Orontea); Gastone Sarti (Gelone); Concerto Vocale; René Jacobs, director
72. Barbara Strozzi: Lagrime mie, cantata
- Julianne Baird, soprano; Colin Tinley, harpsichord
73. Gabriel Bataille: Ma bergere non légere, air de cour
- Nigel Rogers, tenor; Anthony Bailes, lute
74. Giovanni Gabrieli: In ecclesiis, motet (sacred concerto)
- Gabrieli Consort; Paul McCreesh, director
75. Alessandro Grandi: O quam tu pulchra es, motet
- Henry Ledroit, countertenor; Ricercar Consort; Henry Ledroit, director
76. Giacomo Carissimi: Historia de Jephte, oratorio, conclusion
- Gabrieli Consort and Players; Paul McCreesh, director
77. Heinrich Schütz: O lieber Herre Gott, sacred concerto, from Kleine geistliche Konzerte I
- Soloists of the Tölzer Knabenchor: Helmut Wittek, Stefan Gienger, sopranos; Michael Hell, violoncello; Roman Summereder, organ; Gerhard Schmidt-Gaden, director
78. Heinrich Schütz: Saul, was verfolgst du mich
- Musica Fiata; Kammerchor Stuttgart; Frieder Bernius, conductor
79. Girolamo Frescobaldi: Toccata No. 3
- Gustav Leonhardt, harpsichord
80. Girolamo Frescobaldi: Ricercare after the Credo, from
- Mass for the Madonna, in Fiori musicali Rinaldo Alessandrini, organ
81. Biagio Marini: Sonata IV per il violino per sonar con due corde, from Op. 8
- I ngrid Matthews, violin, and Byron Schenkman, harpsichord
82. Jean-Baptiste Lully: Armide, tragédie lyrique, excerpts
a. ouverture
b. act ii, scene 5: Enfin il est en ma puissance
- Chapelle Royale; Philippe Herreweghe, conductor
83. Jean-Baptiste Lully: Te Deum, grand motet, conclusion, "In te Domine speravi"
- Concert spirituel; Hervé Niquet, conductor
84. Denis Gaultier, La Coquette virtuose, courante, from La rhétorique des dieux
- Hopkinson Smith, lute
85. Elisabeth-Claude Jacquet de la Guerre: Suite in A Minor from Pièces de clavecin, Book I
- Geneviève Soly, harpsichord
86. Henry Purcell: Dido and Aeneas, opera, conclusion
a. recitative: Thy hand, Belinda
b. lament (ground bass aria): When I am laid in earth
c. chorus: With drooping wings
- Lorraine Hunt (Dido); The Choir of Clare College, Cambridge; Philharmonia Baroque Orchestra; Nicholas McGegan, director
87. Tomás de Torrejón y Velasco, La púrpura de la rosa, opera, excerpt: Y bien, ¿qué es lo que adviertes?
- Judith Malafronte (Venus), Ellen Hargis (Adonis); The Harp Consort; Andrew Lawrence-King, director
88. Juan de Araujo: Los coflades de la estleya, villancico
- Ex Cathedra; Jeffrey Skidmore, conductor
89. Alessandro Scarlatti: Clori vezzosa, e bella, cantata, conclusion
a. recitative: Vivo, vivo penando
b. aria: Sì, sì ben mio
- Brian Asawa, countertenor; Arcadian Academy; Nicholas McGegan, music director
90. Alessandro Scarlatti: Griselda, opera, excerpt: Aria: In volver ciò che tu brami
- Dorothea Röschmann, Griselda; Alte Musik Berlin; René Jacobs, director
91. Arcangelo Corelli: Trio Sonata, Op. 3, No. 2
- Jaap Schröder, Marilyn McDonald, violins; Kenneth Slowik, cello; Konrad Junghnel, theorbo; James Weaver, organ
92. Dieterich Buxtehude: Praeludium in E Major, BuxWV 141
- Harald Vogel, organ
93. Antonio Vivaldi: Concerto for Violin and Orchestra in A Minor, Op. 3, No. 6, from L?estro armonico
- Simon Standage, violin; English Concert; Trevor Pinnock, harpsichord and conductor
94. Francois Couperin: Vingt-cinquième ordre
a. La Visionaire
b. La Muse victorieuse
- Richard Rephann, harpsichord
95. Jean-Philippe Rameau: Hippolyte et Aricie, opera, excerpt: Act IV, conclusion
- Les Musiciens du Louvre; Marc Minkowski, conductor
96. Johann Sebastian Bach: Prelude and Fugue in A Minor, BWV 543
- Michael Murray, organ
97. Johann Sebastian Bach: Chorale Prelude on Durch Adams Fall, BWV 637
- Wolfgang Röbsam, organ
98. Johann Sebastian Bach: Nun komm, der Heiden Heiland, BWV 62, cantata
- Barbara Schlick, Sibylla Rubens, sopranos; Kai Wessel, Sarah Connolly, altos; James Taylor, Christoph Prégardien, Mark Padmore, tenors; Peter Kooy, bass; Collegium Vocale; Philippe Herreweghe, director
99. George Frideric Handel: Giulio Cesare, opera, excerpt: Act II, scene 2
a. Eseguisti
b. V?adoro, pupille
- James Bowman (Giulio Cesare); Lynne Dawson (Cleopatra); La Grande Ecurie et la Chambre du Roy; Jean-Claude Malgoire, director
100. George Frideric Handel: Saul, oratorio, excerpt: Act II, scene 10
a. accompanied recitative: The Time at length has come
b. recitative: Where is the son of Jesse?
c. chorus: O fatal Consequence of Rage
- Marcel Beekman, tenor; Stephan MacLeod, bass; Junge Kantorei, Frankfurt Baroque Orchestra; Joachim Carlos Martini, conductor



Otros libros del mismo autor

Otros productos recomendados