Treatise on Harmony

One of the most important books in the history of Western music, translated, with introduction and notes by Philip Gossett.

Written while Rameau was still a relatively obscure organist and music master at Clermont-Ferrand, the book received but one printing during Rameau's life, in 1722, shortly before he settled in Paris, The Traité was immediately recognized as a profound advance in musical theory, however, and it established Rameau's reputation as a theorist. His book was the first to codify those principles of tonality which were to dominate the music of the West for almost two centuries. Even today the theories of Rameau remain the basis for the study of harmony.

Rameau's Traité de l'harmonie is divided into four Books, the first of which presents the mathematical from which Rameau sought to derive his theories. Book Two may be considered the most important section of the Traité; in it Rameau generates his entire harmonic system from fundamental principles, explaining intervals, chords and modes, everything, in fact, essential to musical composition in tonal style. Working from the principles developed in Books One and Two, Book Three treats the practical rules of composition, including such topics as harmonic modulation and chord progressions. Book Four concerns the practical art of accompaniment on harpsichord or organ, including the realization of a figured bass. Corrections added by Rameau in a Supplement are included in the text, and all the musical examples have been reset in modern musical notation. In addition, two pages from a unique copy of the first issue of the first edition are given in facsimile. The translator's introduction discusses the history of the work, Rameau's mathematics, and his place in the history of music theory.

New (1971) translation, from the French of the original (1722) edition, by Philip Gossett of the Department of Music, University of Chicago. Introduction and notes by the translator. Many musical examples.

CONTENIDO:

I. On the relationship between Harmonic Ratios and Proportions
II. On the Nature and Properties of Chords; and on Everything which may be used to make Music perfect
III. Principles of Composition
IV. Principles of Accompaniment