The Cambridge Companion to Bruckner

This Companion provides an overview of the composer Anton Bruckner (1824?1896). Sixteen chapters by leading scholars investigate aspects of his life and works and consider the manner in which critical appreciation has changed in the twentieth century. The first section deals with Bruckner?s Austrian background, investigating the historical circumstances in which he worked, his upbringing in Upper Austria, and his career in Vienna. A number of misunderstandings are dealt with in the light of recent research. The remainder of the book covers Bruckner?s career as church musician and symphonist, with a chapter on the neglected secular vocal music. Religious, aesthetic, formal, harmonic, and instrumental aspects are considered, while one chapter confronts the problem of the editions of the symphonies. Two concluding chapters discuss the symphonies in performance, and the history of Bruckner-reception with particular reference to German Nationalism, the Third Reich and the appropriation of Bruckner by the Nazis.


? Considers the historical context of Austria and Germany in the nineteenth and twentieth centuries


? Provides many different perspectives on the music, particularly the symphonies


? Contains essays by British, American and German scholars, presenting the latest critical views

CONTENIDO:
Chronology;
Part I. Background:
1. Introduction: a Catholic composer in the age of Bismarck John Williamson;
2. Musical life in Upper Austria in the mid-nineteenth century Andrea Harrandt;
3. Bruckner in Vienna Andrea Harrandt;

Part II. Choral Music:
4. Bruckner?s large sacred compositions Paul Hawkshaw;
5. Bruckner and the motet A. Crawford Howie;
6. Bruckner and secular vocal music A. Crawford Howie;

Part III. The Symphonist:
7. The Brucknerian symphony: an overview John Williamson;
8. Bruckner?s symphonies - a reinterpretation: the dialectic of darkness and light Derek B. Scott;
9. Programme symphony and absolute music John Williamson;
10. Bruckner editions: the revolution revisited Benjamin M. Korstvedt;
11. Bruckner and the symphony orchestra Julian Horton;
12. Between formlessness and formality: aspects of Bruckner?s approach to symphonic form Benjamin M. Korstvedt;
13. Formal process as spiritual progress: the symphonic slow movements Margaret Notley;
14. Bruckner and Harmony Kevin Swinden;

Part IV. Reception:
15. Conductors and Bruckner John Williamson;
16. The musical image of Bruckner Christa Brüstle.