Sound Commitments : Avant-Garde Music and the Sixties

The role of popular music is widely recognized in giving voice to radical political views, the plight of the oppressed, and the desire for social change. Avant-garde music, by contrast, is often thought to prioritize the pursuit of new technical or conceptual territory over issues of human and social concern. Yet throughout the activist 1960s, many avant-garde musicians were convinced that aesthetic experiment and social progressiveness made natural bedfellows. Intensely involved in the era's social and political upheavals, they often sought to reflect this engagement in their music. Yet how could avant-garde musicians make a meaningful contribution to social change if their music remained the preserve of a tiny, initiated clique? In answer, Sound Commitments , examines the encounter of avant-garde music and "the Sixties" across a range of genres, aesthetic positions and geographical locations. Through music for the concert hall, tape and electronic music, jazz and improvisation, participatory "events," performance art, and experimental popular music, the essays in this volume explore developments in the United States, France, West Germany, Italy, the Netherlands, the Soviet Union, Japan and parts of the "Third World," delving into the deep richness of avant-garde musicians' response to the decade's defining cultural shifts.

Featuring new archival research and/or interviews with significant figures of the period in each chapter, Sound Commitments will appeal to researchers and advanced students in the fields of post-war music, cultures of the 1960s, and the avant-garde, as well as to an informed general readership.

CONTENIDO:

Introduction: Avant-garde Music and the Sixties
Robert Adlington
1. Avant-garde-Some Introductory Notes on the Politics of a Label
Hubert van den Berg

Ideologies
2. "Demolish Serious Culture!": Henry Flynt and Workers World Party
Benjamin Piekut
3. Forms of Opposition at the 'Politiek-Demonstratief Experimenteel' Concert
Robert Adlington
4. Aesthetic Theories and Revolutionary Practice: Nikolaus A. Huber and Clytus Gottwald in Dissent
Beate Kutschke

Rethinkingthe popular
5. "Music is a Universal Human Right": Musica Elettronica Viva
Amy C. Beal
6. The Problem of the Political in Steve Reich's Come Out
Sumanth Gopinath
7. The Politics of Presque rien
Eric Drott

Politicising Performance
8. ONCE and the Sixties
Ralf Dietrich
9. "Scream Against the Sky": Japanese Avant-garde Music in the Sixties
Yayoi Uno Everett

The Challenge of Institutionalisation
10. Bernard Gendron
11. American Cultural Diplomacy and the Mediation of Avant-garde Music
Danielle Fosler-Lussier
12. From Scriabin to Pink Floyd: the ANS Synthesizer and the Politics of Soviet Music Between Thaw and Stagnation
Peter J. Schmelz
Index