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Norton Anthology of Western Music. V III: Twentieth Century
Norton Anthology of Western Music. V III: Twentieth Century.
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Norton Anthology of Western Music. V III: Twentieth Century

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  • ISBN: 978-0-393-93240-9
  • Editorial: W. W. Norton & Company
  • Colección: Norton History of Music
  • Encuadernación: Espiral
  • Formato: 18x25
  • Páginas: 500
  • Idiomas: Inglés
  • Tipo: LIBRO

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Sexta edición - Sixth Edition
Scores 155-205
This comprehensive collection of 205 scores illustrates every significant trend and genre of Western music from antiquity to modern times. Highlights of the repertoire include new works from all periods: more contrasting virelais, ballades, and other chansons from the fourteenth through the sixteenth centuries; large-scale choral works, including Gabrieli’s In ecclesiis, Lully’s Te Deum, Haydn’s Creation, and Prokofiev’s Alexander Nevsky; more opera, including Norma, Les Huguenots, and Madama Butterfly; orchestral and chamber works by Schubert, Schumann, Brahms, Dvorák, and Tchaikovsky; and new twentieth-century works by Satie, Bartók, Milhaud, Prokofiev, Varèse, Hindemith, Cowell, Cage, Feldman, Stockhausen, Boulez, Berio, Reich, Adams, Ligeti, Schnittke, and Michael Daugherty.

CONTENIDO:

Volume 3 twentieth century

155. Scott Joplin: Maple Leaf Rag, piano rag
a. as played by scott joplin
Scott Joplin, piano roll
b. as played by jelly roll morton
Jelly Roll Morton, piano
156. Claude Debussy: Nuages, from Trois Nocturnes
New York Philharmonic; Pierre Boulez, conductor
157. Sergei Rachmaninov: Prelude in G Minor, Op. 23, No. 5
Sergei Rachmaninov, piano
158. Alexander Scriabin: Vers la flamme, poem for piano
Bernd Glemser, piano
159. Erik Satie: Embryons desséchés, No. 3, De Podophthalma: Un peu vif
Aldo Ciccolini, piano
160. Arnold Schoenberg: Pierrot lunaire, Op. 21, excerpts
a. no. 8: Nacht
b. no. 13: Enthauptung
Lucy Shelton, soprano; Da Capo Chamber Players
161. Arnold Schoenberg: Piano Suite, Op. 25, excerpts
a. prelude
b. minuet and trio
Peter Hill, piano
162. Alban Berg: Wozzeck, opera, excerpt: Act III, scene 3
Dietrich Fischer-Dieskau, baritone; Alice Oelke, mezzo-soprano; Orchester der Deutschen
Oper Berlin; Karl Böhm conductor
163. Anton Webern: Symphony, Op. 21, first movement
Ulster Orchestra; Takuo Yuasa, conductor
164. Igor Stravinsky: The Rite of Spring, excerpts
a. Danse des adolescentes
b. conclusion of part ii: Danse sacrale
Chicago Symphony Orchestra; Seiji Ozawa
165. Igor Stravinsky: Symphony of Psalms, first movement
CBS Symphony Orchestra; The Festival Singers of Toronto; Igor Stravinsky, conductor
166. Béla Bartók: Mikrokosmos, No. 123, Staccato and Legato
Kornél Zempléni, piano
167. Béla Bartók: Music for Strings, Percussion and Celesta, third movement
New York Philharmonic; Pierre Boulez, conductor
168. Charles Ives: General William Booth Enters into Heaven, song
William Sharp, baritone; Stephen Blier, piano
169. George Gershwin: I Got Rhythm, from Girl Crazy
Ethel Merman, alto
170. Bessie Smith: Back Water Blues, song
Bessie Smith, vocal; James P. Johnson, piano
171. King Oliver: West End Blues, as performed by Louis Armstrong and
His Hot Five
Louis Armstrong and His Hot Five: Louis Armstrong, trumpet and vocal; Earl (Fatha) Hines,
piano; Fred Robinson, trombone; Jimmy Strong, clarinet; Mancy Cara, banjo;
Zutty Singleton, drums
172. Duke Ellington: Cotton Tail
Duke Ellington and His Orchestra
173. Darius Milhaud: La Création du Monde, Op. 81 (1923), ballet, excerpt:
1st tableau (the jazz fugue)
Little National Orchestra; Jean-Claude Casadesus, conductor
174. Paul Hindemith: Symphony Mathis der Maler, second movement, Grablegung
San Francisco Symphony; Herbert Blomstedt, conductor
175. Sergei Prokofiev: Alexander Nevsky, cantata, fourth movement:
Arise, Ye Russian People
Stanislavsky Chorus and Russian State Symphony Orchestra; Dmitry Yablonsky, conductor
176. Dmitri Shostakovich: Symphony No. 5, Op. 47, second movement
Concertgebouw Orchestra; Bernard Haitink, conductor
177. Silvestre Revueltas: Sensemayá, for orchestra
Mexico Festival Orchestra; Enrique Batiz, conductor
178. Edgard Varèse: Hyperprism
Polish National Radio Symphony Orchestra; Christopher Lyndon-Gee, conductor
179. Henry Cowell: The Banshee
Henry Cowell, piano
180. Ruth Crawford Seeger: String Quartet 1931, fourth movement
Pellegrini Quartet
181. Aaron Copland: Appalachian Spring, excerpt, with variations on Simple Gifts
London Symphony Orchestra; Aaron Copland, conductor
182. William Grant Still: Afro-American Symphony, first movement
Chicago Sinfonietta; Paul Freeman, conductor
183. Charlie Parker and Dizzy Gillespie: Anthropology
Dizzy Gillespie, trumpet; Charlie Parker, alto saxophone; Bud Powell, piano;
Tommy Potter, bass; Roy Haynes, drums
184. Olivier Messiaen: Quartet for the End of Time, first movement
Amici Ensemble
185. Benjamin Britten: Peter Grimes, opera, excerpt from end of Act III
Peter Pears (Peter Grimes); Claire Watson (Ellen Orford); Orchestra and Chorus of the
Royal Opera House, Covent Garden; Benjamin Britten, conductor
186. Samuel Barber: Hermit Songs, No. 8: The Monk and His Cat
Cheryl Studer, soprano; John Browning, piano
187. John Cage: Sonatas and Interludes, excerpt: Sonata V
Yuji Takahashi, prepared piano
188. John Cage: Music of Changes I, for piano
S teffen Schleiermacher, piano
189. Morton Feldman: Projection I, for cello
The Barton Workshop; James Fulkerson, director
190. Karlheinz Stockhausen: Kreuzspiel, first section
Members of the London Sinfonietta; Karlheinz Stockhausen, conductor
191. Pierre Boulez: Le marteau sans maître, movement 6:
"Bourreaux de solitude"
Jeanne Deroubaix, alto; Severino Gazzelloni, flute; Georges van Gucht, xylorimba;
Claude Ricou, vibraphone; Jean Batigne, percussion; Anton Stingl, guitar; Serge Collot,
viola; Pierre Boulez, conductor
192. Luciano Berio: Sequenza III for female voice
Tony Arnold, soprano
193. George Crumb: Black Angels, Thirteen Images from the Dark Land, excerpts
a. image 4: Devil-Music
b. image 5: Danse macabre
Concord String Quartet
194. Milton Babbitt: Philomel, section I
Bethany Beardslee, soprano
195. Krzysztof Penderecki: Threnody for the Victims of Hiroshima
National Polish Radio Symphony Radio Orchestra (Katowice); Antoni Wit, conductor
196. Karel Husa: Music for Prague 1968, for concert band, first movement:
Introduction and Fanfare: Adagio
Eastman Wind Ensemble; Donald Hunsberger, conductor
197. Steve Reich: Tehillim, Part IV
Ossia; Alan Pierson, conductor
198. John Adams: Short Ride in a Fast Machine
Bournemouth Symphony; Marin Alsop, conductor
199. György Ligeti: Etudes, Book II, excerpt: No. 9, Vertige
Pierre-Laurent Aimard, piano
200. Ellen Taaffe Zwilich: Symphony #1, first movement
Indianapolis Symphony Orchestra; John Nelson, conductor
201. Arvo Pärt: Magnificat antiphons
a. no. 1: O Weisheit
b. no. 6: O König aller Völker
Taverner Choir; Andrew Parrott, conductor
202. Sofia Gubaidulina: Rejoice! Sonata for Violin and Violoncello,
fifth movement
Gidon Kramer, violin; Yo-Yo Ma, cello
203. Alfred Schnittke: Concerto Grosso No. 1, second movement Toccata
The New Stockholm Chamber Orchestra; Lev Markiz, conductor
204. Michael Daugherty: Dead Elvis
Charles Ullery, bassoon; London Sinfonietta; David Zinman, conductor
205. Bright Sheng: Seven Tunes Heard in China, for solo cello, No. 1: Seasons
Yo-Yo Ma, cello