Music and Propaganda in the Short Twentieth Century

CONTENIDO:

Preface

- Overview
Luis Velasco Pufleau: Réflexions sur les rapports entre musique et propagande

- Western Europe
Erik Levi: Appreasing Hitler? Anglo-German Music Relations, 1933-1939
Will Studdert: "Happy Hour in the Afternoon" and "Station Debunk": Two Nazi Jazz Projects of World War II
Laurie Ruth Semmes: Frank Capra's Job in Germany: Evoking Caution Suspicious through German Music Reassurance
Lindsay J. Hansen: Singing the Right Message: Song and Controversy in East Germany

- Eastern Europe
Andrzej Tuchowski: The Totalitarian Rhetoric os "Struggle"
Hana Sisková: Music as Carrier of Ideas: The Example of Postwar Polish Music
Louisa Martin-Chevalier: Celebrating the October revolution in Music: A Political Event?
Sanja Majer-Bobetko: Music Historiography and Propaganda in the First Half of the 20th Century. The Croatian Exemple
Lada Durakovic: Música e propaganda política
Valentina Radoman: Music and Propaganda after Worl War II
Vesna Mikic: Mass Song as a Key Product of Yugoslav Music Propaganda

- Southern Europe
Daniela Gangale: Propaganda di sinistra: l'esperienza di "Cantacronache" (1958-1962)
Paulo Ferreira de Castro: "Aber gewisse Dinge stehen gar nicht drin": On a German Conductor, a Portuguese Symphony, and the Elephant in the Room
Helena Marinho: Composing for Dance during the Estado Novo Dictatorship: A Case Study
Gemma Pérez Zalduondo - María Isabel Cabrera García: Voices, Strategies mand Practices of Propaganda: Music and Artistic Culture at the Service of the State during Francoism
Juan José Pastor Comín: De Don Quijote a Dulcinea: Dimensión política d elas adaptaciones musicales cervantinas en el primer franquismo (1939-1950)
Beatriz Martínez del Fresno: Las armas de Terpsícore en la recuperación diplomática del franquismo. Coros y Danzas de Espña en la Argentina de Perón (1948)
Francisco José Fernández Vicedo: La música española de los años 50: el premio de composición "Samuel Ros" como reflejo de las políticas del régimen franquista y la transición hacia nuevas estéticas compositivas
Beatriz Pérez Castillo: "Problematized" Music. Notes on the Reception of "avant-Garde" Symphonic Music during teh Franco Years (1952-1969)
Germán Gan Quesada: To Win Freedom... Musical Composition and Political Commitment in Spain during the Last Years of Francoism (1969-1975)
Pedro Ordóñez Eslava: Mundo y formas del cante flamenco cincuenta años después. Identidades del flamenco en el último franquismo

- South Africa
Charla Schutte: "Lieder sind Brüder der Revolutions": And Ideology-Critical Approach to the Use of Songs as a Vehicle for Propaganda
Annemie Stimie: Songs, Singing and Spaces in South Africa: Afrikaans Folks Songs in Nationalist Publications

- Overseas
Harry Vandervlist: "Shostakovich, Jump Through the Window!". Dmitry Shostakovich and the Opening of the Cold War Propaganda Battle in Time and Life Magazines
Paul Christhiansen: "Finish-it - Whatever It Takes": Muscal Propaganda in Political Ads from Bush's 2004 US Presidential Campaign
Belén Vega Picacho: Re-(nova)volu-tion: The members of the Grupo de Renovación Musical before teh Cuban Revolution and afterwards
Marita Fornaro Bordolli: Music and Propaganda Context and Repertoires in the Second Half of the 20th Century in Uruguay

Biographies
Index of Names