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Harmonic Practice in Tonal Music. Workbook. 9780393976670

Harmonic Practice in Tonal Music. Workbook

W. W. Norton & Company. 2004

Ficha técnica

  • EAN: 9780393976670
  • ISBN: 978-0-393-97667-0
  • Editorial: W. W. Norton & Company
  • Fecha de edición: 2004
  • Encuadernación: Rústica
  • Dimensiones: 28x22
  • Idioma: Inglés
  • Nº páginas: 460

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This workbook offers a wide variety of written assignments and keyboard exercices for use with Harmonic Practice in Tonal Music, Second Edition. Reflecting the revisions made in the text, drills have been added to the early chapters to reinforce the most elemental musical concepts, helping students to grasp the fundamentals before they move to more complex topics. In addition, exercices on chord spellings and progressions are included at the beginning of the chapters on harmony, and a wider variety of music examples have been added throughout.

CONTENIDO:

Preface

Parte one: The basic elements of music
1. Pitch and intervals
2. Rhythm and meter I
3. Tonic, scale and melody
4. Triads and seventh chords
5. Musical texture and chordal spacing
6. Partwriting in four-voice texture
7. Melodic figuration and dissonance I

Part two: Diatonic harmony
9. The primary triads
10. The dominant seventh
11. The tonic and subdominant chords in first inversion
12. Phrase structure and grouping
13. Linear dominants
14. The pre-dominant II and II7 chords
15. Melodic figuration and dissonance II
16. The 6x4 and other linear chords
17. The VI, III and other diatonic triads
18. Rhythm and meter II
19. The leading-tone seventh chord and other seventh chords
20. Harmonic sequences I
21. Tonicization and modulation I
22. Tonicization and modulation II
23. Harmonic sequences II
24. Simple forms
25. Two analysis projects

Part three: Chromatic harmony
26. Review of diatonic harmony
27. Tonicization and modulation III
28. Modal exchange and mixture chords
29. The neapolitan chord
30. Augmented sixth chord
31. Complex forms
32. Embellishing chromatic chords
33. Dominant progressions
34. Modulation of foreign keys I
35. Ninth, eleventh, thirteenth, and added-note chords
36. Implication and realization
37. Harmonic sequences III
38. An analysis project

Part four: Advanced chromatic techniques
39. Chromatic voice leading
40. Modulation of foreign keys II
41. Symmetrical divisions of the octave
Appendix: An introduction to species counterpoint

Keyboard exercises
1. Pitch and intervals
3. Tonic, scale, and melody
4. Triads and seventh chords
5. Musical texture and chordal spacing
9. The primary triads
10. The dominant seventh
11. The tonic and subdominant chords in first inversion
13. Linear dominants
14. The pre-dominant II and II7 chords
15. Melodic figuration and dissonance II
16. The 6x4 and other linear chords
17. The VI, III and other diatonic triads
19. The leading-tone seventh chord and other seventh chords
20. Harmonic sequences I
21. Tonicization and modulation I
22. Tonicization and modulation II
23. Harmonic sequences II
27. Tonicization and modulation III
28. Modal exchange and mixture chords
29. The neapolitan chord
30. Augmented sixth chord
32. Embellishing chromatic chords
34. Modulation of foreign keys I
35. Ninth, eleventh, thirteenth, and added-note chords
37. Harmonic sequences III
39. Chromatic voice leading
40. Modulation of foreign keys II
41. Symmetrical divisions of the octave



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