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Experimental Affinities in Music. 9789462700611

Experimental Affinities in Music

Leuven University Press. 2016

Ficha técnica

  • EAN: 9789462700611
  • ISBN: 9789462700611
  • Editorial: Leuven University Press
  • Fecha de edición: 2016
  • Encuadernación: Rústica
  • Dimensiones: 19x28
  • Idioma: Inglés

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Edited by Paulo de Assis, introduction by Paulo de Assis, contributions by Lydia Goehr, Felix Diergarten, Martin Kirnbauer, Mark Lindley, Edward Wickham, Lawrence Kramer, Hermann Danuser, and Thomas Christensen, interviewee Helmut Lachenmann, Leon Fleisher, and Frederic Rzewski, and interviewer Luk Vaes

Experimental Affinities in Music brings together diverse artistic, musicological, historical, and philosophical essays, enhancing a broad discourse on artistic experimentation, and exploring various experimental attitudes in music composed between the thirteenth and twentieth centuries.

The golden thread running through the different chapters is the quest for inherently experimental musical practices, a quest pursued from interrogating, descriptive, or challenging perspectives, and always in relation to concrete music examples.

Experimental is taken as an adventurous compositional, interpretive, or performative attitude that can cut across different ages and styles. Affinitiessuggest connectors and connections, convergences, contiguities, and adjacencies that are found in and through a diversity of approaches and topics.

The texts share a common genesis: the lectures of the International Orpheus Academies for Music and Theory convened by Luk Vaes (2011) and Paulo de Assis (2012, 2013). The affinities found in this volume include essays by Lydia Goehr, Felix Diergarten, Mark Lindley, Martin Kirnbauer, Edward Wickham, Lawrence Kramer, Hermann Danuser, and Thomas Christensen, as well as interviews with pianist Leon Fleisher, with pianist-composer Frederic Rzewski, and with composer Helmut Lachenmann.

CONTENIDO:

Introduction. Paulo de Assis

Chapter One. Explosive Experiments and the Fragility of the Experimental. Lydia Goehr
Chapter Two. Omnis ars ex experimentis dependeat: ?Experiments? in Fourteenth-Century Musical Thought. Felix Diergarten
Chapter Three. ?Vieltönigkeit? instead of Microtonality: The Theory and Practice of Sixteenth- and Seventeenth-Century ?Microtonal? Music. Martin Kirnbauer
Chapter Four. Inscriptions: An Interview with Helmut Lachenmann.
Chapter Five. Nuance and Innovation in Part I of the ?48?. Mark Lindley
Chapter Six. Tales from Babel: Musical Adventures in the Science of Hearing. Edward Wickham
Chapter Seven. From Clockwork to Pulsation: Music and Artificial Life in the Eighteenth Century. Lawrence Kramer
Chapter Eight. The Inner Ear: An Interview with Leon Fleisher.
Chapter Nine. Execution?Interpretation?Performance: The History of a Terminological Conflict. Hermann Danuser
Chapter Ten. Monumental Theory. Thomas Christensen
Chapter Eleven. Testing Respect(fully): An Interview with Frederic Rzewski. Luk Vaes

Appendix
Notes on Contributors
Index



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