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American Musical Theatre. A Chronicle
American Musical Theatre. A Chronicle.
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American Musical Theatre. A Chronicle

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  • ISBN: 978-0-19-972970-8
  • Editorial: Oxford University Press
  • Encuadernación: Cartoné
  • Formato: 17x25
  • Páginas: 1032
  • Idiomas: Inglés
  • Tipo: LIBRO

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Fourth Edition.


- A new edition of this lauded classic American musical theatre reference
- Comprehensive and authoritative history of American musical theatre covering more than two and a half centuries
- Lively, engaging narrative combines plot synopses, names of principal players, descriptions of scenery, costumes, songs and critical reactions
- Newly updated to cover the first decade of the twenty-first century, including groundbreaking new theatrical forms
- Blockbusters and showstoppers including A Chorus Line, Showboat, Cats, Grease, The Lion King, The Color Purple, and Spring Awakening

Hailed as "absolutely the best reference book on its subject" by Newsweek, American Musical Theatre: A Chronicle covers more than 250 years of musical theatre in the United States, from a 1735 South Carolina production of Flora, or Hob in the Well to The Addams Family in 2010. Authors Gerald Bordman and Richard Norton write an engaging narrative blending history, critical analysis, and lively description to illustrate the transformation of American musical theatre through such incarnations as the ballad opera, revue, Golden Age musical, rock musical, Disney musical, and, with 2010's American Idiot, even the punk musical.

The Chronicle is arranged chronologically and is fully indexed according to names of shows, songs, and people involved, for easy searching and browsing. Chapters range from the "Prologue", which traces the origins of American musical theater to 1866, through several "intermissions" (for instance, "Broadway's Response to the Swing Era, 1937-1942") and up to "Act Seven", the theatre of the twenty-first century. This last chapter covers the dramatic changes in musical theatre since the last edition published-whereas Fosse, a choreography-heavy revue, won the 1999 Tony for Best Musical, the 2008 award went to In the Heights, which combines hip-hop, rap, meringue and salsa unlike any musical before it. Other groundbreaking and/or box-office-breaking shows covered for the first time include Avenue Q, The Producers, Billy Elliot, Jersey Boys, Monty Python's Spamalot, Wicked, Hairspray, Urinetown the Musical, and Spring Awakening.

Discussion of these shows incorporates plot synopses, names of principal players, descriptions of scenery and costumes, and critical reactions. In addition, short biographies interspersed throughout the text colorfully depict the creative minds that shaped the most influential musicals. Collectively, these elements create the most comprehensive, authoritative history of musical theatre in this country and make this an essential resource for students, scholars, performers, dramaturges, and musical enthusiasts.

CONTENIDO:

Foreword
Prefaces to the Fourth and First Editions
Prologue: Origins to 1866
Act One: Early Successes, 1866-1892
Intermission: Further British Influences and New Stirrings, 1892-1902
Act Two: The Emergence of American Talent, 1902-1907
Intermission: Viennese Operetta and the American Retreat, 1907-1914
Act Three: The Birth of the Modern Musical, 1914-1921
Intermission: The Cinderella Era, 1921-1924
Act Four: The Golden Age of the American Musical, 1924-1937
Intermission: Broadway's Response to the Swing Era, 1937-1942
Act Five: The American Musical as a Conscious Art Form, 1942-1965
Intermission: Exhaustion, 1965-1969
Act Six: Full Circle? Return of the Brits, 1969-1995
Intermission: Technological Spectacles, Retrospectives, and Revivals, 1995-2000
Act Seven: The Twenty-First Century, 2000-2010
Epilogue
Indexes (Shows and Sources, Songs, People)

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