Variations On A French Folksong, for Concert Band/Harmonie, Set

The variation form is one of the oldest and most fundamental forms of musical technique. Franco Cesarini has chosen the well known French folk melody, Sur le pont d'Avignon as the basis for this piece. The piece begins with ashort introduction followed by the exposition and ten lively and contrasting variations. The final reminder of the main theme also included references to the famous French nursery songs J'ai du bon tabac and Alouette, which bringthe work to an expressive and brilliant close.
The variation form is one of the oldest and most fundamental forms of musical technique. Franco Cesarini has chosen the well known French folk melody, Sur le pont d'Avignon as the basis for this piece. The piece begins with ashort introduction followed by the exposition and ten lively and contrasting variations. The final reminder of the main theme also included references to the famous French nursery songs J'ai du bon tabac and Alouette, which bringthe work to an expressive and brilliant close.
The variation form is one of the oldest and most fundamental forms of musical technique. Franco Cesarini has chosen the well known French folk melody, Sur le pont d'Avignon as the basis for this piece. The piece begins with ashort introduction followed by the exposition and ten lively and contrasting variations. The final reminder of the main theme also included references to the famous French nursery songs J'ai du bon tabac and Alouette, which bringthe work to an expressive and brilliant close.