> Partituras y ediciones críticas > Clásica > Barroco > Internacional
Concerto in La minore per oboe e pianoforte RV 461 (F.VII, nº 5, P.V. 42). 9790080037690

Concerto in La minore per oboe e pianoforte RV 461 (F.VII, nº 5, P.V. 42)

; ; Editio Musica Budapest. 1963
Instrumento:

Ficha técnica

  • EAN: 9790080037690
  • ISBN: 979-0-080-03769-0
  • Código del editor: 3769
  • Editorial: Editio Musica Budapest
  • Fecha de edición: 1963
  • Idioma: Inglés alemán húngaro
  • Nº páginas: 28

Bajo pedido

Sin stock. Si se pide hoy, se estima recibir en la librería el 21/10/24

PVP. 15,00€


Añadir a la Lista de deseos

The source of the present edition of the Oboe Concerto in A minor by Antonio Vivaldi is the Collected Works of Vivaldi, edited by Malipiero, published by Ricordi 1955. The title of the original score is "Concerto in La minore per oboe, archi e cembalo" the original setting: Oboe, Violini I-II, Viole, Violoncelli, Contrabassi and Cembalo. The arrangement for oboe and piano is kept in accurate conformity with the musical text of score, the continuo part - however - has been more freely adapted (of course within the possibilities of baroque style). The piano part contains the entire orchestral material in the Tutti-s, thus the soloist is not obliged to play all the Tutti parts.However, in Movement I and III the first and last Tutti may never be omitted by the performer.
The source of the present edition of the Oboe Concerto in A minor by Antonio Vivaldi is the Collected Works of Vivaldi, edited by Malipiero, published by Ricordi 1955. The title of the original score is "Concerto in La minore per oboe, archi e cembalo" the original setting: Oboe, Violini I-II, Viole, Violoncelli, Contrabassi and Cembalo. The arrangement for oboe and piano is kept in accurate conformity with the musical text of score, the continuo part - however - has been more freely adapted (of course within the possibilities of baroque style). The piano part contains the entire orchestral material in the Tutti-s, thus the soloist is not obliged to play all the Tutti parts.However, in Movement I and III the first and last Tutti may never be omitted by the performer.



Otros libros del mismo autor

Otros productos recomendados