Odd Time Reading Text, for All Instruments

Rhythmic studies designed to develop accuracy and speed in sight reading.

As applied to odd time signatures.

CONTENIDO:

Melodic application of Odd Time Signatures

Section I - Quarter Note Meters (Odd Time Studies with the Quarter Note having the basic pulse) (3/4, 5/4, 7/4, etc.)
Eighth Note and Rest Studies (#6)
Introducing the tie
Introducing the dot
Common Writing of Syncopation (#19)
Introducing 16th Notes and Rests in Various Meters
Introducing 16th Note Ties
Five Syncopated Exercises with 16th Notes
Introducing 8th Notes Triplets in Various Meters
Triplets with Ties in Various Meters
Sub-Divided 8th Note Triplets
Introducing the Quarter Note Triplet
Introducing Half Note Triplets (#51)
Syncopation with Triplets
Four Exercises in Syncopation
Introducing 16th Note Triplets
Introducing 32nd Notes

Section II - Changing Meters
Quarter Notes and Rests
Eighth Nothes and Rests
Introducing the Tie
Introducing Syncopation
Introducing 16th Notes and Rests (#70)
Syncopation with 16th Notes
Introducing 8th Note Triplets
Triplet Ties and 16th Notes
Quarter Note Triplets
Half Note Triplets
Syncopation with Triplets
16th Note Triplets (#90)
32nd Note Triplets (#91)

Section III - Eighth Note Meters (Odd Time Studies with the 8th Note having the Basic Pulse) (3/8, 5/8, 7/8, etc.)
16th Notes
The Dot
Syncopation
32nd Notes and Rests
Exercise with Syncopation
16th Note Triplets and TIes
Triplet Ties and 32nd Notes
Quarter Note Triplets
32nd Note Triplets

Section IV - Changing Meters
The Tie (#132)
The Dot (#133)
Syncopation (#134)
32nd Notes and Rests (#136)
Syncopation with 32nd Notes (#142)
Introducing 16th Note Triplets
Triplet Ties and 32nd Notes (#146)
Exercises in Changing Quarter and 8th Note Meters

Section V - Sixteenth Note Meters (Odd Time Studies with the 16th Note having the Basic Pulse) (3/16, 5/16, 7/16, etc.)
64th Notes and Rests
32nd Note Tripelts and Ties (#179)
Triplet Ties and 64th Notes
64th Note Triplets

Section VI - Changing Meters