El Argonauta. La librería de la música.

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42 Études ou caprices, pour violon = 42 Studies or Caprices, for Violin
42 Études ou caprices, pour violon = 42 Studies or Caprices, for Violin.
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42 Études ou caprices, pour violon = 42 Studies or Caprices, for Violin

  • ISBN: 979-0-001-15078-1
  • Editorial: Schott Musik International
  • Colección: Essential Exercises
  • Encuadernación: Rústica
  • Formato: 23x30
  • Páginas: 96
  • Idiomas: Inglés/Alemán/Francés
  • Tipo: MÉTODO/EJERCICIOS
  • código del editor: ED 20340

Materias:
PVP 22,40 €
DISPONIBLE EN BREVE
Si se pide hoy, se estima recibir en la librería el 29/07/19


42 Études ou caprices, pour violon = 42 Studies or Caprices, for Violin = 42 Etüden oder Caprices, für Violine

Fingering: Radboud Oomens and Maria Egelhof
Edited by Maria Egelhof and Wolfgang Birtel


There is hardly a violinist who has not dealt with some or even all 42 'Kreutzer etudes' sometime or other: Études ou caprices form part of the standard repertoire. Rodolphe Kreutzer (1766-1831) has not least remained unforgotten because of Beethoven's violin sonata of the same name - a work which had never been played by the violin virtuoso himself and not even been appreciated by him. His lightning career as a violinist led him into Napoleon's private orchestra and as a virtuoso across Europe before an accident put an end to his solo career. As a violin teacher, he taught in private aristocratic circles, then at the later Conservatoire and laid the foundations for a comprehensive methodology and didactics. For his teaching activities, Kreutzer wrote his 40 Études ou caprices (two were later added by another) in 1796. The present urtext edition is based on the first edition and contains the original, occasionally surprisingly different musical text with the original fingering, with a 'modern' setting being added. Even if Henryk Wieniawski once admitted: 'They are much more difficult than most violinists think', these studies form an indispensable part of all violin studies.

CONTENIDO:

1 Bogentechnik / Bowing technique
2 Bogentechnik / Bowing technique
3 Staccato
4 Martelé
5 Martelé
6 Martelé
7 Intonation mit Bogentechnik / Intonation with bowing technique
8 Stárkung der linken Hand / left-hand strength
9 Intonation mit Bogentechnik / Intonation with bowing technique
10 Lagenwechsel / Change of position
11 rechter Arm / right arm
12 Legatospiel / Legato playing
13 Triller / Trills
14 Triller / Trills
15 Triller im Legato / Legato trills
16 Triller im Staccato / Staccato trills
17 Triller gemischt / Mixed trilis
18 Triller im Legato / Legato trills
19 Triller / Trills
20 Triller in Sechzehnteln / Semiquaver trilis
21 Kadenzen/Cadenzas
22 gebrochene Oktaven / broken octaves
23 Oktaven, Stabilitát der linken Hand / Octaves, stability of the left hand
24 Intonatíon / Intonation
25 Legato und Metrum / Legato and metre
26 Legato und linke Hand / Legato and left hand
27 Virtuositát / Virtuosity
28 Rechter Arm Rotation / Right-arm rotation
29 Bogeneinteilung / Bow division
30 Doppelgrifftechnik / Double-stop technique
31 Terzen im Legato / Legato thirds
32 Unabhángigkeit der Finger in der linken Hand / Independence of the left-hand fingers
33 Doppelgriff Virtuositát / Double-stop virtuosity
34 Unabhángigkeit zwischen rechter und línker Hand / Independence between right and left hand
35 Agogik in Akkorden / Agogics in chords
36 Fugenspiel Legato / Legato fugue playing
37 Unabhángigkeit der Finger in der linken Hand / Independence of the left-hand fingers
38 Triller in Doppelgriffen / Double-stop trilis
39 Polyphonie in Legato / Legato polyphony
40 Fugenspiel / Fugue playing
41 Bogeneinteilung in langen Bógen / Bow division in long bow strokes
42 gebrochene Dreiklánge / broken triads

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