The Cambridge Companion to the Eroica Symphony

CONTENIDO:
Introduction - Nancy November
Part I. Context and Genesis:
1. Beethoven and heroism in the age of revolutions - Scott Burnham
2. Beethoven's 'watershed'? Eroica's contexts and periodization - Mark Ferraguto
3. The symphony in Vienna and abroad around 1800 - Erica Burrman
4. Genesis and publication of the Eroica - Federica Rovelli
Part II. Analytical Approaches:
5. Twentieth-century analytical approaches to the first movement - William Drabkin
6. Beethoven in the garden: the hero who practices resignation or, the Eroica as 'late' work - Vasili Byros
7. Registering the Eroica - Nicholas Marston
8. After invention: traces and materials in the Eroica finale - Elaine Sisman
Part III. Reception:
9. Who is the hero? The early reception of the Eroica Beate - Angelika Kraus
10. The Eroica in the nineteenth and twentieth centuries - Leon Botstein
11. Performing, arranging and rearranging the Eroica: then and now - Nancy November
12. The Eroica endures: Beethoven's Third Symphony in the twenty-first century - Melanie Lowe.