The Cambridge Companion to Hip-Hop

It has been more than thirty-five years since the first commercial recordings of hip-hop music were made. This Companion, written by renowned scholars and industry professionals reflects the passion and scholarly activity occurring in the new generation of hip-hop studies. It covers a diverse range of case studies from Nerdcore hip-hop to instrumental hip-hop to the role of rappers in the Obama campaign and from countries including Senegal, Japan, Germany, Cuba, and the UK. Chapters provide an overview of the 'four elements' of hip-hop - MCing, DJing, break dancing (or breakin'), and graffiti - in addition to key topics such as religion, theatre, film, gender, and politics. Intended for students, scholars, and the most serious of "hip-hop heads", this collection incorporates methods in studying hip-hop flow, as well as the music analysis of hip-hop and methods from linguistics, political science, gender and film studies to provide exciting new perspectives on this rapidly developing field.

Provides a new resource for students and enthusiasts, which updates and adds to previous arguments, debates, and contexts in hip-hop studies.

Takes a multidisciplinary approach to hip-hop studies, including perspectives from political science, linguistics, musicology, and ethnomusicology.

Balances mainstream US case studies with those from countries around the world, revealing links between global and local trends in hip-hop.

CONTENIDO:

Introduction: the interdisciplinary world of hip-hop studies (Justin A. Williams)

Part I. Elements:
1. MC origins: rap and spoken word poetry (Alice Price-Styles)
2. Hip-hop dance (Imani K. Johnson)
3. Hip-hop visual arts (Ivor Miller)
4. DJs and turntabilism (Kjetil Falkenberg Hansen)
5. The fifth element: knowledge (Travis Gosa)
6. Hip-hop and religion: from the mosque to the church (Christina Zanfagna)
7. Hip-hop theater and performance (Nicole Hodges Persley)

Part II. Methods and Concepts:
8. Lyrics and flow in rap music (Oliver Kautny)
9. The musical analysis of hip-hop (Kyle Adams)
10. The glass: hip-hop production (Chris Tabron)
11. Hip-hop and racial identification: an (auto)ethnographic perspective (Anthony Kwame Harrison)
12. Thirty years of rapsploitation: hip-hop culture in American cinema (Geoff Harkness)
13. Barbz and kings: explorations of gender and sexuality in hip-hop (Regina Bradley)
14. Hip-hop and politics (Chris Deis)
15. Intertextuality, sampling, and copyright (Justin A. Williams)

Part III. Case Studies:
16. Nerdcore hip-hop (Amanda Sewell)
17. Framing gender, race, and hip-hop in Boyz in the Hood, Do the Right Thing and Slam (Adam Haupt)
18. Japanese hip-hop: alternative stories (Noriko Manabe)
19. Council estate of mind: the British rap tradition and London's hip-hop scene (Richard Bramwell)
20. Cuban hip-hop (Sujatha Fernandes)
21. Senegalese hip-hop (Ali Coleen Neff)
22. Off the grid: instrumental hip-hop and experimentalism after the golden age (Mike D'Errico)
23. Stylized Turkish German as the resistance vernacular of German hip-hop (Brenna Byrd)
24. 'Bringin' '88 back': historicizing rap music's greatest year (Loren Kajikawa)
25. 'Where ya at?': Hip-hop's political locations in the Obama era (Michael Jeffries)