El Argonauta. La librería de la música.

Logotipo El Argonauta. La librería de la música
C/ Fernández de los Ríos, 50. 28015 Madrid (España)
Norton Anthology of Western Music, 7th Edition. Vol. I: Ancien to Baroque
Norton Anthology of Western Music, 7th Edition. Vol. I: Ancien to Baroque.
¡Nuevo!

Norton Anthology of Western Music, 7th Edition. Vol. I: Ancien to Baroque

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  • ISBN: 978-0-393-92161-8
  • Editorial: W. W. Norton & Company
  • Colección: Norton History of Music
  • Encuadernación: Espiral
  • Formato: 18x25
  • Páginas: 882
  • Idiomas: Inglés
  • Tipo: LIBRO

Materias:
PVP 59,95 €
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Si se pide hoy, se estima recibir en la librería el 11/11/19


Séptima edición = Seventh Edition.

CONTENIDO:

1. Epitaph of Seikilos
2. Euripides: Orestes: Stasimon chorus
3. Mass for Christmas Day
(a) Introit: Puer natus est nobis
(b) Kyrie
(c) Gloria
(d) Gradual: Viderunt omnes
(e) Alleluia: Dies sanctificatus
(f) Credo
(g) Offertory: Tui sunt caeli
(h) Sanctus
(i) Agnus Dei
(j) Communion: Viderunt omnes
(k) Ite, missa est
4. Chants from Vespers for Christmas Day
(a) First Antiphon: Tecum principium, with psalm Dixit Dominus
(b) Hymn: Christe Redemptor omnium
5. Ascribed to Wipo of Burgundy: Victimae paschali laudes
6. Tropes of Puer natus: Quem queritis in presepe and melisma
7. Hildegard of Bingen: Ordo virtutum: In principio omnes
8. Bernart de Ventadorn: Can vei la lauzeta mover
9. Comtessa de Dia: A chantar
10. Adam de la Halle: Jeu de Robin et de Marion: Rondeau, Robins m’aime
11. Walther von der Vogelweide: Palästinalied (Nu alrest lebe ich mir werde)
12. Cantiga 159: Non sofre Santa María, from Cantigas de Santa Maria
13. La quarte estampie royal, from Le manuscript du roi
14. Organa from Musica enchiriadis
(a) Tu patris sempiternus es filius
(b) Sit Gloria domini
(c) Rex caeli domine
15. Alleluia Justus ut palma, from Ad organum faciendum
16. Jubilemus, exultemus
17. Leoninus and colleagues: Viderunt omnes
18. Clausulae on Dominus from Viderunt omnes
(a) Dominus, clausula No. 26
(b) Dominus, clausula No. 29
19. Perotinus: Viderunt omnes
20. Ave virgo virginum
21. Motets on Tenor Dominus
(a) Factum est salutare/Dominus
(b) Fole acostumance/Dominus
(c) Super te/Sed fulsit/Dominus
(d) Super te/Sed fulsit/Primus tenor/Dominus
22. Adam de la Halle: De ma dame vient/Dieus, comment porroie/Omnes
23. Petrus de Cruce: Aucun ont trouvé/Lonc tans/Annuntiantes
24. Sumer is icumen in
25. Philippe de Vitry: Cum statua/Hugo, Hugo/Magister invidie
26. Guillaume de Machaut: La Messe de Nostre Dame
(a) Kyrie
(b) Gloria
27. Guillaume de Machaut: Douce dame jolie
28. Guillaume de Machaut: Rose, liz, printemps, verdure
29. Philippus de Caserta: En remirant vo douce pourtraiture
30. Jacopo da Bologna: Non al suo amante
31. Francesco Landini: Cosi pensoso
32. Francesco Landini: Non avrà ma’ pietà
33. Alleluia, A newë work
34. John Dunstable: Quam pulchra es
35. Binchois (Gilles de Bins): De plus en plus
36. Guillaume du Fay: Resvellies vous
37. Guillaume du Fay: Christe, redemptor omnium
38. Guillaume du Fay: Se la face ay pale
(a) Se la face ay pale
(b) Missa Se la face ay pale: Gloria
39. Antoine Busnoys: Je ne puis vivre
40. Jean de Ockeghem: Missa prolationum: Kyrie
41. Henricus Isaac: Innsbruck, ich muss dich lassen
42. Josquin des Prez: Faulte d’argent
43. Josquin des Prez (?): Mille regretz
44. Josquin des Prez: Ave Maria . . . virgo serena
45. Josquin des Prez: Missa Pange lingua
(a) Kyrie
(b) Credo, excerpt: Et incarnates est and Crucifixus
46. Martin Luther: Nun komm, der Heiden Heiland and Ein feste Burg
(a) Attributed to St. Ambrose: Veni redemptor gentium, hymn
(b) Martin Luther: Nun komm, der Heiden Heiland
(c) Martin Luther: Ein feste Burg
(d) Johann Walter: Ein feste Burg, setting for four voices
47. Loys Bourgeois: Psalm 134, Or sus, serviteurs du Seigneur
(a) Psalm 134, Or sus, serviteurs du Seigneur
(b) William Kethe: Psalm 100, All people that on earth do dwell
48. Thomas Tallis: If ye love me
49. William Byrd: Sing joyfully unto God
50. Nicolas Gombert: Ave regina caelorum
51. Giovanni Pierluigi da Palestrina: Pope Marcellus Mass
(a) Credo
(b) Agnus Dei I
52. Tomás Luis de Victoria: O magnum mysterium
(a) O magnum mysterium
(b) Missa O magnum mysterium: Kyrie
53. Orlande de Lassus: Cum essem parvulus
54. Juan del Encina: Oy comamos y bebamos
55. Marchetto Cara: Mal un muta per effecto
56. Jacques Arcadelt: Il bianco e dolce cigno
57. Cipriano de Rore: Da le belle contrade d’oriente
58. Luca Marenzio: Solo e pensoso
59. Carlo Gesualdo: “Io parto” e non più dissi
60. Claudin de Sermisy: Tant que vivray
61. Orlande de Lassus: La nuict froide et sombre
62. Claude Le Jeune: Revecy venire du printans
63. Thomas Morley: My bonny lass she smileth
64. Thomas Weelkes: As Vesta was
65. John Dowland: Flow, my tears
66. Tielman Susato: Dances from Danserye
(a) No. 5: Basse danse La morisque
(b) No. 38: Pavane La dona
(c) No. 50: Galliard La dona
67. Anthony Holbourne: Dances
(a) The Night Watch, almaine
(b) The Faerie-round, galliard
68. Luis de Narváez: From Los seys libros del Delphín, intabulation and variations for vilhuela
(a) Cancion Mille regres
(b) Cuatro diferencias sobre “Guárdame las vacas”
69. William Byrd: John come kiss me now
70. Giovanni Gabrieli: Canzon septimi toni a 8, from Sacrae symphoniae
71. Claudio Monteverdi: Cruda Amarilli
72. Giulio Caccini: Vedrò ’l mio sol
73. Jacopo Peri: Le musiche sopra l’Euridice, opera
(a) Aria: Nel pur ardor
(b) Dialogue in recitative: Per quel vago boschetto
74. Claudio Monteverdi: L’Orfeo: Excerpt from Act II
(a) Aria/canzonetta: Vi ricorda o boschi ombrosi
(b) Song: Mira, deh mira Orfeo
(c) Dialogue in recitative: Ahi, caso acerbo
(d) Recitative: Tu se’ morta
(e) Choral madrigal: Ahi, caso acerbo
75. Claudio Monterverdi: L’incoronazione di Poppea: Act I, Scene 3
76. Antonio Cesti: Orontea: Excerpts from Act II
(a) Scene 16: Recitative, E che si fa?
(b) Scene 17: Opening aria, Intorno all’ idol mio
77. Barbara Strozzi: Lagrime mie
78. Giovanni Gabrielli: In ecclesiis
79. Alessandro Grandi: O quam tu pulchra es
80. Giacomo Carissimi: Historia di Jephte
(a) Recitative: Plorate colles
(b) Chorus: Plorate filii Israel
81. Heinrich Schütz: Saul, was verfolgst du mich, SWV 415, from Symphoniae sacrae III
82. Girolamo Frescobaldi: Toccata No. 3
83. Girolamo Frescobaldi: Ricercare after the Credo, from Mass for the Madonna, in Fiori musicali
84. Biagio Marini: Sonata IV per il violino per sonar con due corde
85. Jean-Baptiste Lully: Armide
(a) Ouverture
(b) Conclusion of divertissement from Act II, Scene 4: Laissons au tender amour
(c) Act II, Scene 5: Enfin il est en ma puissance
86. Jean-Baptiste Lully: Te Deum: Conclusion
87. Denis Gaultier: La Coquette virtuose
88. Elisabeth-Claude Jacquet de la Guerre: Suite in A Minor, from Pièces de clavecin
(a) Prelude
(b) Allemande
(c) courante I and II
(d) Sarabande
(e) Gigue
(f) Chaconne
(g) Gavotte
(h) Menuet
89. Henry Purcell: Dido and Aeneas: Conclusion
(a) Recitative: Thy hand, Belinda
(b) Lament (ground bass aria): When I am laid in earth
(c) Chorus: With drooping wings
90. Tomás de Torrejón y Velasco: La púrpura de la rosa: Excerpt
91. Juan de Araujo: Los conflades de la estleya
92. Alessandro Scarlatti: Clori vezzosa, e bella, cantata: Conclusion
(a) Recitative: Vivo penando
(b) Aria: Sì, sì ben mio
93. Alessandro Scarlatti: La Griselda, opera: Excerpt from Act I, Scene 2
94. Arcangelo Corelli: Trio Sonata, Op. 3, No. 2
(a) Grave
(b) Allegro
(c) Adagio
(d) Allegro
95. Dieterich Buxtehude: Praeludium in E Major, BuxWV 141
96. Antonio Vivaldi: Concerto for Violin and Orchestra in A Minor, Op. 3, No. 6, from L’estro armonico
(a) Allegro
(b) Largo
(c) Presto
97. François Couperin: Vingt-cinquième ordre: Excerpts
(a) La visionaire
(b) La muse victorieuse
(c) Les ombres errantes
98 .Jean-Philippe Rameau: Hippolyte et Aricie: Conclusion of Act IV
99. Georg Philipp Telemann: Concerto Primo, from Paris Quartets
(a) Presto
(b) Largo
(c) Allegro
100. Johann Sebastian Bach: Prelude and Fugue in A Minor, BWV 543
101. Johann Sebastian Bach: Chorale Prelude on Durch Adams Fall, BWV 637
102. Johann Sebastian Bach: The Well-Tempered Clavier, Book I: Excerpts
(a) Prelude No. 8 in E-flat Minor
(b) Fugue No. 8 in D-sharp Minor
103. Johann Sebastian Bach: Nun komm, der Heiden Heiland, BWV 62
(a) No. 1, Chorus: Nun komm, der Heiden Heiland
(b) No. 2, Aria (tenor): Bewundert, o Menschen
(c) No. 3, Recitative (bass): So geht aus Gottes Herrlichkeit und Thron
(d) No. 4, Aria (bass): Streite, siege, starker Held!
(e) No. 5, Accompanied recitative (soprano and alto): Wir ehren diese Herrlichkeit
104. Johann Sebastian Bach: St. Matthew Passion, BWV 244
(a) No. 36a, Recitative: Und der Hohepriester antwortete
(b) No. 36b, Chorus: Er ist des Todes schuldig
(c) No. 36c, Recitative: Da speieten sie aus in sein Angesicht, und schlugen ihn mit Fäusten
(d) No. 36d, Chorus: Weissage uns, Christe, wer ist’s, der dich schlug?
(e) No. 37, Chorale: Wer hat dich so geschlagen
(f) No. 38a, Recitative: Petrus aber sass draussen im Palast; und es trat zu ihm eine Magd
(g) No. 38b, Chorus: Wahrlich, du bist auch einer von denen; denn deine Sprache verrät dich
(h) No. 38c, Recitative: Da hub er an sich zu verfluchen und zu schwören
(i) No. 39, Aria: Erbarme dich, mein Gott, um meiner Zärren willen
(j) No. 40, Chorale: Bin ich gleich von dir gewichen
105. George Frideric Handel: Giulio Cesare: Act II, Scenes 1–2
(a) Eseguisti
(b) V’adoro, pupille
106. George Frideric Handel: Saul: Act II, Scene 10
(a) No. 66, Accompanied recitative: The Time at length is come
(b) No. 67, Recitative: Where is the Son of Jesse?
(c) No. 68, Chorus: O fatal Consequence of Rage

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