Handel's Operas, 1726-1741

Handel ranks with Monteverdi, Mozart and Verdi among the supreme masters of opera, yet between 1754 (when Handel was still living) and 1920 not one of his operas was performed anywhere. Their revival in the modern theatre has been among the most remarkable phenomena in the history of the art. But they are still too little understood, or studied, and until recently no reliable modern editions existed.
This long-awaited book is the sequel to Handel's Operas 1704-1726, published in 1987. It is the first study in depth of Handel's last twenty-two operas, including major masterpieces such as Orlando, Ariodante and Alcina and the brilliant lighter works Partenope, Serse and Imeneo. Each chapter contains a full synopsis and study of the libretto, a detailed assessment of the opera's musical and (often misunderstood) dramatic qualities, a performance history, and comparison of the different versions.
Much new material has been incorporated. In addition four general chapters throw a vivid light on the historical background. Two Epilogues touch on Handel's dramatic vision, the revival of his operas in the twentieth century, and their performance today. There are a number of valuable Appendices. Together with its predecessor, the book provides the first complete overview of these works.

CONTENIDO:

1- The Rival Queens 1726-1728
2- Alessandro
3- Admeto Re di Tessaglia
4- Riccardo Primo Re d'Inghilterra
5- Siroe Re di Persia
6- Tolomeo Re di Egitto
7- The `Second Academy' 1729-1734
8- Lotario
9- Partenope
10- Poro Re dell'Indie
11- Ezio
12- Sosarme Re di Media
13- Orlando
14- Arianna in Creta
15- Covent Garden 1734-1737
16- Ariodante
17- Alcina
18- Atalanta
19- Arminio
20- Giustino
21- Berenice Regina di Egitto
22- The Last Operas 1738-1741
23- Faramondo
24- Serse
25- Imeneo
26- Deidamia