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Dance, Spectacle, and the Body Politick, 1250–1750
Dance, Spectacle, and the Body Politick, 1250–1750.
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Dance, Spectacle, and the Body Politick, 1250–1750

  • ISBN: 978-0-253-21985-5
  • Editorial: Indiana University Press
  • Encuadernación: Rústica
  • Formato: 15,5x23
  • Páginas: 392
  • Idiomas: Inglés
  • Tipo: LIBRO

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From the mid-13th to the mid-18th century the ability to dance was an important social skill for both men and women. Dance performances were an integral part of court ceremonies and festivals and, in the 17th and 18th centuries, of commercial theatrical productions. Whether at court or in the public theater danced spectacles were multimedia events that required close collaboration among artists, musicians, designers, engineers, and architects as well as choreographers. In order to fully understand these practices, it is necessary to move beyond a consideration of dance alone, and to examine it in its social context. This original collection brings together the work of 12 scholars from the disciplines of dance and music history. Their work presents a picture of dance in society from the late medieval period to the middle of the 18th century and demonstrates how dance practices during this period participated in the intellectual, artistic, and political cultures of their day.

CONTENIDO:

Contents
Acknowledgments
Editorial Note

Part 1. Introduction and Overview
1. Dance in Europe 1250—1750 Jennifer Nevile

Part 2. Dance at Court and in the City
2. Dance in Late Thirteenth-Century Paris Karen Silen
3. Dance and Society in Quattrocento Italy Jennifer Nevile
4. Dance in Sixteenth- and Early Seventeenth-Century France Margaret M. McGowan

Part 3. Dance and the Public Theater
5. Pierre Beauchamps and the Public Theater John S. Powell
6. Dance in the London Theaters c. 1700—1750 Jennifer Thorp

Part 4. Choreographic Structure and Music
7. The Relationship between Dance and Music in Fifteenth-Century Italian Dance Practice Jennifer Nevile
8. The Basse Dance c. 1445—c. 1545 David R. Wilson
9. Choreographic Structure in Baroque Dance Ken Pierce

Part 5. Dance and the State
10. Your Most Humble Subject, Cesare Negri Milanese Katherine Tucker McGinnis
11. The Politics of Ballet at the Court of Louis XIV Julia Prest
12. Mr. Isaac's The Pastorall and Issues of "Party" Linda J. Tomko

Part 6. Dance, Society, and the Cosmos
13. Plato's Philosophy of Dance Graham Pont
14. Moral Views on Dance Alessandro Arcangeli
15. Order, Proportion, and Geometric Forms: The Cosmic Structure of Dance, Grand Gardens, and Architecture during the Renaissance Jennifer Nevile

List of Dance Treatises, Manuscripts, Modern Editions, and Translations
Glossary
Bibliography
List of Contributors
Index