Classical Form: A Theory of Formal Functions for the Instrumental Music of Haydn, Mozart, and Beethoven

Building on ideas first advanced by Arnold Schoenberg and later developed by Erwin Ratz, this book introduces a new theory of form for instrumental music in the classical style. The theory provides a broad set of principles and a comprehensive methodology for the analysis of classical form, from individual ideas, phrases, and themes to the large-scale organization of complete movements. It emphasizes the notion of "formal function", that is, the specific role a given formal unit plays in the structural organization of a classical work.

Building on ideas first advanced by Arnold Schoenberg and later developed by Erwin Ratz, this book introduces a new theory of form for instrumental music in the classical style. The theory provides a broad set of principles and a comprehensive methodology for the analysis of classical form, from individual ideas, phrases, and themes to the large-scale organization of complete movements. It emphasizes the notion of formal function , that is, the specific role a given formal unit plays in the structural organization of a classical work.

CONTENIDO:

Introduction

Part I. Preliminaries
1. Some Basic Formal Functions: An Overview
2. Fundamental Progressions of Harmony

Part II. Tight-Knit Themes
3. Sentence
4. Period
5. Hybrid Themes and Compound Themes
6. Small Ternary
7. Small Binary

Part III. Looser Formal Regions
8. Subordinate Theme
9. Transistion
10. Development
11. Recapitulation
12. Coda

Part IV. Full-Movement Forms
13. Sonata Form
14. Slow-Movement Forms
15. Minuet/Trio Form
16. Rondo Forms
17. Concerto Form

Glossary of Terms
Notes
Bibliography
Index of Classical Compositions
General Index