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Les Préludes and Other Symphonic Poems. Full Score. 9780486283227

Les Préludes and Other Symphonic Poems. Full Score

Dover Publications. 1994
Instrumento:

Ficha técnica

  • EAN: 9780486283227
  • ISBN: 978-0-486-28322-7
  • Código del editor: DOV28322-4
  • Editorial: Dover Publications
  • Fecha de edición: 1994
  • Encuadernación: Rústica
  • Dimensiones: 24x31
  • Idioma: Inglés
  • Nº páginas: 232

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Franz Liszt (1811-1896): Los Preludios, y otros Poemas Sinfónicos. Partitura general.

In 1848, Franz Liszt (1811-1886), after nearly a decade of concert tours that took him to every Corner of Europe, settled in Weimar. Now the most celebrated musical personality of his time, Liszt helped make the German city one of Europe's liveliest, most influential musical centers. At Weimar he completed twelve of the thirteen compositions he would name "symphonic poems" for their literary or pictorial inspiration. Three of the best-known symphonic poems are reprinted in full score in this volume.

Les Préludes (Symphonic Poem No.3) grew out of Liszt' s unpublished choral setting The Four Elements, blending stirring martial music and lovely pastoral themes to make this work the most popular of the symphonic poems. Mazeppa (Symphonic Poem No.6) evokes Victor Hugo's portrayal of the Cossack leader, and the symbolism of triumph that comes only after defeat: "He runs, he flies, he falls and stands up king!" Héroïde Funèbre (Symphonic Poem No. 8) is the last vestige of a monumental Revolutionary Symphony, planned but never completed, suggesting universal brotherhood: a fine, heroic, dignified funeral march.
In these richly sonorous works, Liszt explored the concept of the one-movement "transformation of themes," an approach to composition that Wagner would carry forward in his development of the leitmotif. Liszt's expanding chromaticism would be no less influential, anticipating the 20th century's break from tonality and embrace of atonality.
Frequently performed favorites of audiences worldwide, the three works are reprinted here from authoritative full-score editions published by Breitkopf & Härtel of Leipzig.
Unabridged Dover (1994) republication of music from "Franz Liszts Musikalische Werke ... für Orchester: Symphonische Dichtungen", published by Breitkop£ & Härtel, n.d.

CONTENIDO:

Intrumentation
Notes

- Les Préludes [The Preludes], "after Lamartine". Symphonic Poem No.3 [Symphonische Dichtung Nr. 3] . (1848; revised 1852-4)
Andante
Andante maestoso
Allegro ma non troppo
Allegro tempestoso
Un poco più moderato
Allegretto pastorale (Allegro moderato)
Poco a poco più di moto sino al Allegro marziale
Allegro marziale animato
Andante maestoso

- Mazeppa, "after Victor Hugo". Symphonic Poem No. 6 (Symphonische Dichtung Nr. 6] (1851; revised before 1854)
Allegro agitato
Un poco più mosso, sempre agitato assai
Andante
Allegro
Allegro marziale

- Héroïde Funèbre [Heroic Elegy / Heldenklage] Symphonic Poem No.8 [Symphonische Dichtung Nr. 8] (1849-50; revised 1854)
Lento lugubre
Marcia funebre
Più lento
Più agitato ed accelerando il tempo poco a poco
rit. ... Tempo I



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