Teorema nº XXXI/3: Filosofía de la música

Teorema. Revista internacional de filosofía. Número XXXI/3: Filosofía de la Música

CONTENIDO:

Director invitado / Guest Editor: Julián Marrades Millet

- J. Marrades Millet, Una perspectiva sobre la filosofía de la música/A View on the Philosophy of Music
- V. Guerreiro, Thinking Clearly About Music
- J. W. Lango, Why Can Sounds Be Structured as Music?
- A. Schiavio, Constituting the Musical Object: A Neurophenomenological Perspective on Musical Research
- S. Davies, Authentic Performances of Musical Works
- J. Neufeld, Critical Performances
- A. Bertinetto, Paganini Does Not Repeat. Musical Improvisation and the Type/Token Ontology
- J. Levinson, Musical Beauty
- S. E. Eckerson, Contrarianism in the Philosophy of Music and the Role ofthe Idea in Musical Hermeneutics and Performance Interpretation
- E. Negretto, Expectation and Anticipation As Key Elements for the Constitution of Meaning in Music
- D. Quesada, Musical Experience
- M. J. Alcaraz , Music's Moral Character
- C. Moreno. Los oídos prestados y el apeiron sonoro. Notas para una filosofía de la música
- J. Garrison, The Social Value of Ritual and Music in Classical Chínese Thought

- Notas Críticas/Critical Notices
J. Acero y N. Villanueva,Arte, música y emoción
Jerrold Levinson, Music, Art and Metaphysics)
R. Guijarro Lasheras, En busca del concepto musical: tres criterios clave y una cuestión de misterio (Theodore Gracky y Andrew Kania, The Routledge Companion to Philosophy and Music)