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A Performer's Guide to Renaissance Music
A Performer's Guide to Renaissance Music.
¡Nuevo!

A Performer's Guide to Renaissance Music

  • ISBN: 978-0-253-34866-1
  • Editorial: Indiana University Press
  • Colección: Publications of the Early Music Institute
  • Encuadernación: Cartoné con sobrecubierta
  • Formato: 15,5x23,5
  • Páginas: 488
  • Idiomas: Inglés
  • Tipo: LIBRO

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New and expanded edition!
A revised and expanded guide to performance practice issues in Renaissance music.

Revised and expanded since it first appeared in 1991, the guide features two new chapters on ornamentation and rehearsal techniques, as well as updated reference materials, internet resources, and other new material made available only in the last decade.

The guide is comprised of focused chapters on performance practice issues such as vocal and choral music; various types of ensembles; profiles of specific instruments; instrumentation; performance practice issues; theory; dance; regional profiles of Renaissance music; and guidelines for directors. The format addresses the widest possible audience for early music, including amateur and professional performers, musicologists, theorists, and educators.

CONTENIDO

Preface to Second Edition
Preface to First Edition
Note on Transliteration

I. Vocal/Choral Issues
1. The Solo Voice (Ellen Hargis
2. On Singing and the Vocal Ensemble I (Alexander Blachly)
3. On Singing and the Vocal Ensemble

II Alejandro Planchart
4. Practical Matters of Vocal Performance (Anthony Rooley)

II. Wind, String, & Percussion Instruments
5. Recorder (Herbert Myers)
6. Flute (Herbert Myers)
7. Capped Double Reeds (Jeffery Kite-Powell)
8. Shawm / Curtal (Ross Duffin)
9. Racket (Jeffery Kite-Powell)
10. Bagpipe (Adam Knight Gilbert)
11. Cornett (Douglas Kirk)
12. Sackbut (Stewart Carter)
13. Bowed Strings (Wendy Gillespie)
14. Violin (David Douglass)
15. Plucked instruments (Paul O'Dette)
16. Harp (Herbert Myers)
17. Percussion (Ben Harms)
18. Keyboard Instruments (Jack Ashworth)

III. Practical Considerations/Instrumentation
19. Proto-continuo (Jack Ashworth and Paul O'Dette)
20. Mixed ensembles (James Tyler)
21. Large ensembles (Jeffery Kite-Powell)
22. Rehearsal Tips for Instrumental Ensembles (Adam Knight Gilbert)
23. Performance editions (Frederick Gable)

IV. Performance Practice
24. Tuning & Temperament (Ross Duffin)
25. Pitch & Transposition (Herbert Myers)
26. Ornamentation and Improvisation (Bruce Dickey)
27. Pronunciation guides (Ross Duffin)

V. Aspects of Theory
28. Eight Brief Rules for Composing a Si Placet part (Adam Knight Gilbert)

29. Sarah Mead Renaissance Theory

VI. Introduction to Renaissance Dance
30. Early Renaissance Dance, 1450-1520 (Yvonne Kendall)

VII. For the Early Music Director
31. Starting from scratch (Jeffery Kite-Powell)
Appendixes
Notes
Bibliography
Index

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