The Rhythmic Structure of Music

In this influential book on the subject of rhythm, the authors develop a theoretical framework based essentially on a Gestalt approach, viewing rhythmic experience in terms of pattern perception or groupings. Musical examples of increasing complexity are used to provide training in the analysis, performance, and writing of rhythm, with exercises for the student's own work.

CONTENIDO:

I. Definitions and Principles
Architectonic Levels
Pulse
Meter
Rhythm
Accent
Stress
Grouping

II. Rhythms on Lower Architectonic Levels
Trochee and Iamb in Duple Meter
Articulation and Structure
Amphibrach, Anapest, and Dactyl in Duple Meter
Dactyl, Anapest, and Amphibrach in Triple Meter
The Character of Particular Rhythms
Iamb and Trochee in Triple Meter
Rhythmic Ambiguity
The Influence of Rhythm on Melodic Motion
Recapitulation and Illustration
Exercises

III. More Complex Rhythmic Structures
Theoretical Considerations
The Coherence of Higher-Level Rhythms
Groupings on Higher Levels
Analysis of a Whole Section
Exercises

IV. Rhythm and Meter
Meter and the Bar Line
Non-congruence
The Influence of Stress upon Meter
Syncopations, Suspensions, and Ties
Metric Crossing
Exercises

V. Rhythm, Mobility, and Tension
Rhythm and Mobility
Rhythm and Tension
An Extended Anacrusis
An Accented Rest
Summary Example
Exercises

VI. Rhythm, Continuity, and Form
Rhythm, Form, and Morphological Lengths
Continuity and Form
Themes, Non-themes, and Continuity
Rhythm and Texture
Exercises

VII. Rhythmic Development
Ambiguous Rhythm
Rhythmic Vagueness
Rhythmic Transformation
Anacrustic Development
Exercises

VIII. Extended Examples
Chopin, Prelude in E-Flat, Op. 24
Beethoven, Symphony No. 8, First Movement

List of Symbols
Index
Index of Music