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Studies in the Music of Tomás Luis de Victoria. 9780754602415

Studies in the Music of Tomás Luis de Victoria

Ashgate Publishing. 2001

Ficha técnica

  • EAN: 9780754602415
  • ISBN: 978-0-7546-0241-5
  • Editorial: Ashgate Publishing
  • Fecha de edición: 2001
  • Encuadernación: Cartoné con sobrecubierta
  • Dimensiones: 16,5x24
  • Idioma: Inglés
  • Nº páginas: XXIV+320

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Representing nearly thirty years of research by one of the leading scholars in the field, this series of in-depth studies examines selected aspect of the music of the great Spanish composer in the late Renaissance, Tomás Luis de Victoria. Presenting new insights into both the musical style and language and the compositional procedure of this contemporary of Palestrina, Lasso and Byrd, Eugene Cramer iluminates the extent to which Victoria's compositions are musically related. The book reveals that the falsobordone or fabordón played a much larger role in Victoria's music than has previously been thought. Cramer also demonstrates the Victoria's parody or imitation technique, especially in respect to the masses of 1592, extended the parameters that are generally thought to be characteristic of works of this type. Of special interest is the discussion of thirty-eight works, including thirty-four psalm settings that are attributed to Victoria in extant manuscript sources.

Extensively illustrated with over 130 musical examples, these studies will not only interest the serious student or sacred music, but also the performer, both the singer and the conductor alike.

CONTENIDO:

List of tables
List of musical examples
List of transcriptions
Preface

1. The fallacy/illusion/delusion of internal evidence or a case of theft?: the "Vidi speciosam à 8" in Rome, Biblioteca Casanatense, Ms.2295

2. A re-evaluation of Victoria's application of the concept of parody/imitation in the "Missae... Liber secundus" (Rome, 1592)

3. The uses and re-uses of music: polyphonic interrelationships or intertextuality in the music of T. L. de Victoria

4. Victoria and the fabordón/falsobordone

5. Compositional procedure in the Passions of Victoria

6. Adding to the Victorian canon?

7. Victoria's psalms: a panorama of the musical styles in use in the late 16th century

8. An overview of Victoria's life and work

Musical supplement 1 (for chapter 1)
Musical supplement 2 (for chapter 6)
Musical supplement 3 (for chapter 6)

Works cited

Index



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